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En 1902, Henri Rivière proposait au public encore circonspect un livre d'art unique et précieux inspiré des Trente-six Vues du mont Fuji d'Hokusai : Les Trente-six Vues de la tour Eiffel. Avec ses lithographies en couleurs, il figurait alors le tournant que prenait la Tour dans l'histoire ; d'» excroissance mineure », elle devenait un élément indispensable du paysage parisien.
In 1902, Henri Rivière presented to the still cautious public a unique and precious art book inspired by Hokusai's Thirty-Six Views of Mount Fuji : The Thirty-Six Views of the Eiffel Tower. With his color lithographs, he marked the turning point that the Tower was taking in history ; from a "minor excrescence," it became an indispensable element of the Parisian landscape...