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Aquarium. Art, décoration et ornement. Christian Besson. Bibliothèque. C'est la colle qui fait le collage. Ce qu'elle prend, ce qu'on lui donne. Ce qu'elles en font. Célébrités. Commencements. Couvertures, pages de titre. Crystal Palace. Des deux côtés de la surface. Échelle. Éducation. Expériences. Expositions. Jean-Henri Fabre. Fabrique. Fictions. Fossiles. Inventer ou découvrir. L'erreur de Swainson. La Grotte et les prisonniers. Le bois qui avance. Le Grand Architecte. Les Grands récits. Les mots et la chose. Loupes, microscopes et rayons X. Métaphores, allégories et paraboles. Métiers et qualifications. Miss Smee is me. Modernes. Mosaïque, vitrail et marqueterie. Or et pierres précieuses. Personne d'autre. François Jules Pictet de la Rive. Pop. Ready made. Réaumur et variations. Réserve et disparition. Saisir. Séance de Six. Sedges. Séquences. Soixante-cinq ans de photos de groupe. Stations. Yokota.
Aquarium. Art, decoration and ornamentation. Christian Besson. Library. It's glue that makes the collage. What it takes, what is given. What they do with it. Celebrities. Beginnings. Covers, title pages. Crystal Palace. On both sides of the surface. Scale. Education. Experiments. Exhibitions. Jean-Henri Fabre. Factory. Fictions. Fossils. Inventing or discovering. Swainson's mistake. The Grotto and the Prisoners. The moving grove. The Great Architect. Great narratives. The words and the thing. Magnifying glasses, microscopes and X-rays. Metaphors, allegories and parables. Jobs and qualifications. Miss Smee is me. Moderns. Mosaic, stained glass and marquetry. Gold and Precious stones. Nobody else. François Jules Pictet de la Rive. Pop. Prêt-à-porter. Réaumur and variations. Reserve and disappearance. Grasping. Session with Six. Sedges. Sequences. Sixty-five years of group photos. Stations. Yokota.