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    Anton Webern II (Musik-Konzepte Sonderband)
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    Musik und Traum (Musik-Konzepte 74)
    Musik und Traum (Musik-Konzepte 74)
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    Robert Schumann II (Musik-Konzepte Sonderband)
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    Felix Mendelssohn Bartholdy (Musik-Konzepte 14/15)
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    Darmstadt-Dokumente I (Musik-Konzepte Sonderband)
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    Arnold Schönbergs "Berliner Schule" (Musik-Konzepte 117/118)
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    Autoren-Musik. Sprache im Grenzbereich der Künste (Musik-Konzepte 81)
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    Claudio Monteverdi. Um die Geburt der Oper (Musik-Konzepte 88)
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    Johann Sebastian Bach. Die Passionen (Musik-Konzepte 50/51)
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    Schumann und Eichendorff (Musik-Konzepte 95)
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    Witold Lutoslawski (Musik-Konzepte 71/72/73)
    Witold Lutoslawski (Musik-Konzepte 71/72/73)
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    Isang Yun. Die fünf Symphonien (Musik-Konzepte 109/110)
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    Claudio Monteverdi. Vom Madrigal zur Monodie (Musik-Konzepte 83/84)
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    Johann Sebastian Bach. Was heißt "Klang=Rede"? (Musik-Konzepte 119)
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    Richard Wagner. Zwischen Beethoven und Schönberg (Musik-Konzepte 59)
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    Palestrina. Zwischen Démontage und Rettung (Musik-Konzepte 86)
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    Franz Liszt (Musik-Konzepte 12)
    Franz Liszt (Musik-Konzepte 12)
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    Dieter Schnebel (Musik-Konzepte 16)
    Dieter Schnebel (Musik-Konzepte 16)
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    Rudolf Kolisch. Zur Theorie der Aufführung (Musik-Konzepte 29/30)
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    Franz Schubert. Das Zeitmaß in seinem Klavierwerk (Musik-Konzepte 114)
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    Geschichte der Musik als Gegenwart. Hans Heinrich Eggebrecht und Mathias Spahlinger im Gespräch (Musik-Konzepte Sonderband)
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    Erich Itor Kahn (Musik-Konzepte 85)
    Erich Itor Kahn (Musik-Konzepte 85)
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    Alexander Zemlinsky. Der König Kandaules (Musik-Konzepte 92/93/94)
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    Gustav Mahler. Durchgesetzt? (Musik-Konzepte 106)
    Gustav Mahler. Durchgesetzt? (Musik-Konzepte 106)
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    Pierre Boulez (Musik-Konzepte 89/90)
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    Fryderyk Chopin (Musik-Konzepte 45)
    Fryderyk Chopin (Musik-Konzepte 45)
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    Schönbergs Verein für musikalische Privataufführungen (Musik-Konzepte 36)
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    Beethoven. Formale Strategien der späten Quartette (Musik-Konzepte 67/68)
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    Kurt Weill. Die frühen Werke 1916-1928 (Musik-Konzepte 101/102)
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    Modest Musorgskij. Aspekte des Opernwerks (Musik-Konzepte 21)
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