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Warum weshalb wozu Duchamp
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Gianfranco Baruchello
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Louise Bourgeois: Moi, Eugénie Grandet
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Jean Frémon
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Antike Skulpturen: Antikensammlung Museumslandschaft Hessen Kassel
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Peter Gercke
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Henry Moore<br /> Large Two Forms: Eine Allegorie des modernen Sozialstaates
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Silke Wenk
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Karolingische Kunst
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Wilhelm Messerer
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Henrique Oliveira
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Johann Michael Fischer (1717-1801)
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Die Etrusker und ihre Welt.
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Stützer, Herbert Alexander
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XXL: Kunst, die den Rahmen sprengt
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Dein Plan für das Paradies: Madeleine Dietz - Sakrale Räume
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Madeleine Dietz
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Das trägt doch kein Schwein...: Kleider in der Kunst
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Sandra Danicke
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Josephine Meckseper
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Auguste Rodin. Skulpturen und Zeichnungen
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Auguste Rodin
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Adrian Paci: Still Moving
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Dortmund Museum am Ostwall
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Der Engelsgruß von Veit Stoß in St. Lorenz, Nürnberg
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Vera Ostermayer
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Das Brunograbmal im Dom zu Hildesheim: Kunst und Geschichte einer romanischen Skulptur (Quellen und Studien zur Geschichte und Kunst im Bistum Hildesheim, Band 4)
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Christian Schuffels
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Henry Moore. Eine monumentale Vision
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John Hedgecoe
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Rebecca Horn, The Glance of Infinity
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Rebecca Horn
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Bayerische Rokokoplastik, vom Entwurf zur Ausführung: Katalog der Ausstellung im Bayerischen Nationalmuseum, München, 1985
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Peter Volk
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Die Verweigerung der Lüste: Erotische Gruppen in der antiken Plastik
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Adrian Stähli
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Wie erkenne ich Manieristische Kunst? Architektur, Skulptur, Malerei
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Gerd Betz
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Skulptur und Macht. Figurative Plastik im Deutschland der 30er und 40er Jahre
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Berlin Akademie der Künste
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Giovanni Giuliani. 2 Bde. Essays/Katalog
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Michelangelo Buonarroti und Leonardo Da Vinci: Republikanischer Alltag und Künstlerkonkurrenz in Florenz zwischen 1501 und 1505 (Kleine politische Schriften)
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Joachim Verspohl
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Joseph Beuys. Arena. Wo wäre ich hingekommen, wenn ich intelligent gewesen wäre
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Joseph Beuys
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Der Kampf der Geschlechter. Der neue Mythos in der Kunst 1850 - 1930
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Barbara Eschenburg
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Vorträge zum Werk von Joseph Beuys
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Hessisches Landesmuseum Darmstadt Arbeitskreis Block Beuys
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Kunst in Eger. Stadt und Land
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Lorenz Schreiner
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