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    Perotinus Magnus (Musik-Konzepte 107)
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    Jean Barraqué (Musik-Konzepte 82)
    Jean Barraqué (Musik-Konzepte 82)
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    Johann Sebastian Bach. "Goldberg-Variationen" (Musik-Konzepte 42)
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    Richard Wagner. Wie antisemitisch darf ein Künstler sein? (Musik-Konzepte 5)
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    Alban Berg. Kammermusik II (Musik-Konzepte 9)
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    Aimez-vous Brahms "the progressive"?
    Aimez-vous Brahms "the progressive"?
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    Carl Maria von Weber (Musik-Konzepte 52)
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    Guillaume Dufay (Musik-Konzepte 60)
    Guillaume Dufay (Musik-Konzepte 60)
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    Arnold Schönbergs "Berliner Schule" (Musik-Konzepte 117/118)
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    Darmstadt-Dokumente I (Musik-Konzepte Sonderband)
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    John Cage, 1/ Musik-Konzepte
    John Cage, 1/ Musik-Konzepte
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    Autoren-Musik. Sprache im Grenzbereich der Künste (Musik-Konzepte 81)
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    Johann Sebastian Bach. Die Passionen (Musik-Konzepte 50/51)
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    Claudio Monteverdi. Vom Madrigal zur Monodie (Musik-Konzepte 83/84)
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    Palestrina. Zwischen Démontage und Rettung (Musik-Konzepte 86)
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    Rudolf Kolisch. Zur Theorie der Aufführung (Musik-Konzepte 29/30)
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    Geschichte der Musik als Gegenwart. Hans Heinrich Eggebrecht und Mathias Spahlinger im Gespräch (Musik-Konzepte Sonderband)
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    Erich Itor Kahn (Musik-Konzepte 85)
    Erich Itor Kahn (Musik-Konzepte 85)
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    Alexander Zemlinsky. Der König Kandaules (Musik-Konzepte 92/93/94)
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    Pierre Boulez (Musik-Konzepte 89/90)
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    Schönbergs Verein für musikalische Privataufführungen (Musik-Konzepte 36)
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    Beethoven. Formale Strategien der späten Quartette (Musik-Konzepte 67/68)
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    Kurt Weill. Die frühen Werke 1916-1928 (Musik-Konzepte 101/102)
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    Modest Musorgskij. Aspekte des Opernwerks (Musik-Konzepte 21)
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    Giuseppe Verdi (Musik-Konzepte 10)
    Giuseppe Verdi (Musik-Konzepte 10)
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