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Zauber des Realen: Bernardo Bellotto am sächsischen Hof
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Staatliche Kunstsammlungen Dresden
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Ernst Barlach: „... was wird bis Übermorgen gelten?“ Eine Retrospektive
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Zukunftsräume: Kandinsky, Mondrian, Lissitzky und die abstrakt-konstruktive Avantgarde in Dresden 1919 bis 1932
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